11/13/2023 0 Comments Dr dre compton animals![]() Dre AugCompton is a journey through Dre's Nostalgic SubconsciousĬompton recounts Dr. With the weight of Detox lifted, we have been given Compton, a raucous, audacious, impeccably produced finale that enlightens the uninitiated as to why Andre "Dr. Instead, Dre went on to announce Compton, an album created while he was executive producing on Straight Outta Compton, the biopic of the seminal ‘80s hip-hop group of which he was a member. Dre realized his predicament and cut his losses. ![]() Even if Dre did manage to do Detox justice, we - fans, hip-hop, planet Earth - no longer had any sense of perspective about it. "It wasn’t good… I worked my ass off on it, and I don’t think I did a good enough job," Dre said on his Beats 1 show The Pharmacy. The challenge to deliver an album that could match the hype grew on a daily basis. Blige, The Game, Nas, Jay Z, Lil Wayne, Marsha Ambrosius, Swizz Beatz, T.I., Drake, and Kendrick Lamar are just a few of the people who worked on Detox. During this time, the list of collaborators continued to grow the mythos of Detox Rakim, Eminem, 50 Cent, Mary J. ![]() Pepper commercial in 2009, which never manifested into a release the same thing happened in 20. Dre released a snippet of a song off Detox in a Dr. Then came the false starts a 2005 release was planned then scrapped Snoop Dogg said the album was finished in 2008, but nothing emerged Dr. The hype reached astronomical levels multiple times over the decade it was in production, with Dre calling it a “ hip-hop musical,” and one-time co-producer Scott Storch famously calling the album “ the most advanced rap album in history,” in 2004. Now make that artist one of the most seminal figures in hip-hop’s history, and that album a near-mythical body of work with astronomical expectations, and you have a recipe for disappointment.Īnnounced in 2002, Detox was supposed to be Dr. “‘I’m a producer and a DJ.’ But he makes it his own rhyme, and he knows how to turn into the person who wrote it.When you’ve waited 16 years for an album from an artist you like, the chances that it will meet your ever-growing expectations are scant at best. “Dre told me in the studio, ‘I never considered myself a rapper,'” Primo says. “Dre told me in the studio, ‘I never considered myself a rapper.'” -DJ Premierĭespite hip-hop’s resurgent ghostwriter controversy, Dre has never been ashamed to admit he doesn’t write his own verses. Nice Guy, it was Dre’s work ethic that attracted him to the project as much as his talent. (It’s unclear if Dre will release that version at a later date.)įor Primo, who first met Dre at a 1989 record-release party for Gang Starr’s debut album, No More Mr. Dre was like, ‘Yo, I want this on the album, and I want to rap on it too.’ I was like, ‘Hell, yeah.'”ĭre and Premier continued to work on the track together in Dre’s home studio, with Talib Kweli recording an unused verse for the song. When they met, his manager brought it up to Dre, and Anderson played it for him. ![]() “The song was basically done before Dre heard it, and Dre was meeting with Anderson on a separate issue. “He was extremely angry over what happened to Freddie Gray,” Primo recalls. Premier tells Rolling Stone it wasn’t coincidence that Paak - who wrote his verses first, when the song was originally called “FSU” (“Fuckin’ Shit Up”) - penned his contribution to the track after the death of Freddie Gray and shortly before the unrest in Baltimore. Paak came in as a replacement to record his vocals in Moscow shortly after. MF Doom originally signed on to handle vocals but backed out when he had to have surgery. Fuck you.”īefore Dre was involved, Primo and BMB Spacekid created the skeleton of the beat in Moscow earlier this year as part of a project for Boiler Room TV. Otherwise, we ain’t giving you respect back. Until then, that badge and gun need to be dealt with with honor and respect. Stop the madness on us, and we’ll stop the madness on you. Then y’all wonder why y’all get shot at and dealt with. “Not every cop is bad, but the bad ones really deserve a payback for all the bullshit they do,” Premier tells Rolling Stone. According to Premier, working with Dre for the first time in his 26-year friendship with the N.W.A-member-turned-solo-star, the polemical track addresses a continuing problem head-on.
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